
Rex Walford, OBE, is a Past Chairman of the Guild of Drama Adjudicators and currently a member of its Council. He was the youngest member of the Guild when first admitted and has adjudicated many drama festivals since, including the National Drama Festivals Association All-Winners Festival and in 2007 for a second time, the Festival of European Anglophone Theatre Societies (FEATS). Rex has adjudicated the Woking Festival five times previously, most recently in 2004.
He is a Fellow of Wolfson College, Cambridge and was formerly Head of the Department of Education at the University of Cambridge.. He has a M.A. degree from the School of Speech at Northwestern University, Evanston, USA, one of America’s leading theatre schools. He has directed over 100 plays and musicals. He has produced his own work at the Edinburgh Festival Fringe on a number of occasions, and, with his wife, Wendy, runs a touring company, Cameo Theatre.
He has had a long interest in religious drama, beginning from the days when he directed several large cast productions with teenage casts in North-West London including West Side Story, which played at Central Hall, Westminster. In Cambridge, he co-ordinated an 11-play dramatisation of the whole of the New Testament (The Real Reason) for the Millennium and also turned Dorothy L Sayers’s 12-play radio cycle The Man Born To Be King into a season of stage productions with a cast of over 100 performers in 2004. More recently he has directed Dana Bagshaw’s play Cell Talk, about the contemplative Sister Julian of Norwich and the charismatic pilgrim Margery Kempe of Kings Lynn, and R F Delderfield’s classic piece Spark in Judea, both of which toured East Anglian churches to sell-out audiences and played in Ely Cathedral.
Rex also performs regularly (as compere and accompanist) in cabaret, courses and workshops with soprano Gabrielle Bell and they work together in weekend courses for the University of Cambridge Institute of Continuing Education. Together they have recently made several CDs of songs from the golden years of the British musical theatre, and these have been published and released by Must Close Saturday Records. In 2008, he leads courses at Madingley Hall on ‘The Stage Musical 1928-1945’, ‘British Cinema in World War 2’ and ‘The poets and tunesmiths of Tin Pan Alley’.
With fellow-adjudicator Colin Dolley he is co-author of The one-act play companion which was published by A and C Black in 2006, the first book specifically about the genre for fifty years. He has also written several books about role-play and simulation and several of his pantomime scripts (written with Iris Lloyd) are in print and frequently performed.
He is Chairman of the Cambridge Drama Festival, which celebrates its 40th year in 2008. He has recently served a five-year term as a non-executive director of Anglia Television.